Artist Bio
Olivia Evans (she/her) is a multi-media artist currently based in Seattle, wA, and previously based in San Francisco, CA and Boston, MA.
Choreo Background
Olivia began choreographing in 2019, working collaboratively with her peers and seeking out any opportunity to share her work in local performances and events. She took an interest in creating dance media during the COVID-19 pandemic, and through time and research has worked to develop her skills as a videographer and editor. Most recently, Olivia co-choreographed an award-winning dance film, “Intimité Révélée”, in collaboration with Ballet22 and the San Francisco Dance Film Festival. She has presented live works in collaboration with ZK Gallery, the Alonzo King LINES Ballet Training Program, Mark Foehringer Dance Project SF, and the Dance Complex. Her independent dance films have been featured in festivals such as the San Francisco Dance Film Festival in California, the Inspired Dance Film Festival in Australia, the Film Festival by RogueDance in North Carolina, and the Festival of Us, We, You, and Them in Massachusetts.
Dance Background
Olivia graduated from the 2-Year Training Program with Alonzo King LINES Ballet in San Francisco in May 2023. Throughout her time in this program, she explored her personal artistry and movement practice guided by a range of LINES faculty and guest artists, and had the opportunity perform works by Kayla Farrish, Chuck Wilt, Moscelyne ParkeHarrison, Jay Carlon, Keelan Whitmore, Brett Conway, and Laura O’Malley. Since then, she and has performed with Aleño Dance Project and soon will perform with BKirk Dance. Prior to her west coast move, she studied in a classically-focused environment in Integrarte’s Pre-Professional Ballet Training Program in Boston, under the expert guidance of former principal dancers Erica Cornejo and Carlos Molina; before then, she trained for multiple years at Boston Ballet School. She became a part of Pantos Project Dance’s MOVER program for the 2020-2021 season, strengthening her contemporary vocabulary with instruction from Kat Pantos and other PPD faculty. In recent years, she’s attended summer programs with New Dialect, Alonzo King LINES Ballet, Pantos Project Dance, and Urbanity Dance.
teaching Background
Olivia is the Programs Coordinator for Community Education at Pacific Northwest Ballet, and is also on faculty for the Community Ed and the Children’s Division of PNB School. She also currently teaches for Creative Dance Center and Adaptive and Inclusive Movement (AIM) Seattle. Before moving to Seattle, Olivia taught for the Community and Teens Programs at Alonzo King LINES Ballet, and led a five-month residency with SF Arts Education Project. Olivia has taught additional workshops with Ballet22, LINES Dance Center, Integrarte, and Music House Chicago. Though she has just recently stepped into the role of teaching, she has been able to encourage creative expression in hundreds of students of all ages and backgrounds across the country.
Photos by Kerri Beal
Artistic Mission
Though she’s trained to develop a strong classical foundation, Olivia has always taken interest in less traditional types of movement expression. Her creative process is heavily based in improvisation and individual movement generation, as one of her goals as a creator is to allow for the voices of those she works with to be authentically discovered. She believes that everyone’s artistic voice should be heard and valued, especially knowing that the dance world is one where silence can become too easily ingrained. As a queer, female artist, she feels a strong desire to embrace and emphasize the qualities of individuals’ identities that are considered non-conformative to the traditional dance world. She hopes to continue exploring mixed-media outlets in her work, with an overall intention to make dance and art more accessible to those who may not know how to approach it.
Photos by Kerri Beal and Eric Raeber